THE OLD DUNGEON


Since humankind first developed a sense that dominance and the imposition of fear and pain could yield power and control, the instruments and arts of torture have been developed. Torture has been used to obtain information, to force submission and, in some cases, for the sheer bloodlust. Torture has been used in military campaigns, by terrorists, by kings, rulers, soldiers and dictators.
Torture can be a very complex occurance, with psychological as well as physical aspects. In this sense, torture can be inflicted within families and relationships. Torture can be applied by witholding basic human needs and desires as well as by the application of physical violence. Some may say we are even capable of torturing ourselves.
There has existed for centuries, a subculture of bondage, discipline and sado-masochism in which the suplication and domination that occurs between two or more people in a group becomes an exhilarating and desired activity. There can be no doubt that the body responds to pain with unusual and heightened awareness. Practioners of BDSM will express that sex is enhanced and climax is made ever more excrutiatingly thrilling when pain and/or bondage are incorporated.

The Cat's Paw The Chastity Belt The Garotte The Guillotine The Hanging Cage The Head Vice Torture by Heat The Heretic's Fork
The Inquisitional Chairs The Mask of Infamy The Rack The Rectal, Oral, and Vaginal Pear The Saw The Thumb Screw The Virgin of Nuremberg The Wake of Juda's Cradle

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The Cat's Paw or Spanish Tickler

This instrument looks very much like a cat's paw with very long and sharp claws. It was brutally used to rip the victim's flesh to shreds. Because of the dimension of the claws, muscles and bones were no obstacle in this barbaric practice. It was, of course, inflicted on victims tied up hand and foot.
Cat's Paw or Spanish Tickler
Cat's Paw or Spanish Tickler

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The Chastity Belt

This instrument dates back to 1400, when it appears in Italy under Francesco II from Carrara. It was mostly used in Italy, but it suddenly spread all over France as well.

There have always been three different interpretations about its possible use. Some historians even state that the chastity belt was not an instrument aimed at inflicting suffering but on the contrary a particular device to prevent women (for example when their partner was away for a long time) from the possible risk of being raped. As chastity belts were mostly made of precious materials (inlaid silver with engravings), some historians assert they were given to women as a present from their husbands or lovers in order to encourage them to be faithful.

The Chastity Belt The Chastity Belt

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The Garotte

This device has a Spanish name because it was improved in Spain where it became the official instrument of capital punishment and remained in use until 1975, when the last to be executed was a young student later to be found innocent.

This instrument has very ancient origins. It was originally made of a pole driven in the ground and a rope to tie up round the victim's neck.

This sort of torture was used all over the world. The Spanish version was perfected for this instrument to be used for execution. It had an iron collar that had an iron on its rear which penetrated the cervical vertebrae in a way that the convict died both for asphyxiation and because the spinal cord was crushed.

The Garrotte
The Garrotte

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The Guillotine

Probably due to the minimal amount of suffering, guillotines were widely used as a form of summary execution. It is common belief that the guillotine is a French invention; nevertheless, its origins are much older. The Scots were the first to use a smaller guillotine as a means of execution for nobles. When the French found out about this very useful device, they decided to employ it officially as a way to punish everyone and not just nobles. It was the physician named Joseph-Ignace Guillotin who introduced this merciless device to France.

Before being used, the guillotine was tested with dead bodies from a hospital. It was ready on April 4, 1792 at Paris. The first official execution in Paris occurred on the 25th of that month.

From 1792 to 1794, France used this machine very often. Louis XVI had his head cut on January 21, 1793. Hence the name "Le Louison" until in 1800 the term "guillotine" was employed.

Some engravings, mainly German ones, represent this beheading machine by means of a blade that falls between two vertical, parallel columns, since several centuries before 1789.

It has been proven that a person whose head has been cut, is conscious for a few seconds. Probably a little more than the time it takes for the head to fall on the floor. Some people could even blink before dying. This deadly machine was used in many places such as The Papal States, France, Scotland, and other European countries. In France, its use stopped only after the abolition of the death penalty under Mitterrand in 1981.

The Guillotine
The Guillotine

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The Hanging Cage

In the Hanging Cage, the naked or nearly naked victims were locked into cages and hung up on public display. They perished of hunger and thirst, a fate seconded in the winter by rain and cold, in summer by heatstroke and sunburn. Often they had been tortured and mutilated to make more edifying examples. The putrefying cadavers were generally left in place until the bones fell apart.
The HangingCage

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The Head Vice

During the Inquisition, new ways for torture were sought - that is ways without "breaking any skin" as the church dictated.

The Head Vice did not break any skin by itself, but it was nevertheless; very deadly and painful.

What did the Head Vice consist of? For Heretics, the church could sentence them to death with the Head Vice - a device just big enough to fit the victim's head which would be tightened eventually crushing the victim's teeth and breaking bones. Ultimately, the victim's eyes would fall out of their sockets.

This was, of course, a very innovative torture and also very messy. Reason for which, torturers sometimes preferred to make another vice instead of cleaning the one with the person's eyes on it. Of course meaner executioners took advantage of this and simply used it with all the remainings on the new victim - which were quite frequent.

The Head Vice

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Torture by Heat

Designed in Ancient Turkey (Greece), the Heat Torture was extremely painful and humiliating. After a person was "convicted", he or she would be locked inside a coffin made of brass (sometimes called the Brazen Bull).

The victim's feet were creatively fixed to the ground. Sometimes with ropes, sometimes with nails and sometimes they were not fixed at all. The coffin was placed vertically on top of a fire where it was left for many hours until the brass turned "red hot".

According to some historians including Herodotus, the Heat Torture was the most common torture in Greece. As years passed, the Brazen Bull became more painful and amusing for those outside. At one point, the most sophisticated device had a complex set of tubes so the victim's screams could be heard as an "infuriated ox". Apparently, this amused certain rulers such as the Roman Emperor Hadrian who, according to legend, burnt entire families with the device.

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The Heretic's Fork

This instrument was made of two little forks, one set against the other and of which the points rammed into the flesh under the chin and over the chest.

A little collar supported the instrument to prevent any movement of the victim. The forks did not penetrate into vital points, prolonging suffering before death.

Obviously, the victim's hands were tied behind his back.

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The Inquisitional Chairs

All of them have common characteristics, in that they are covered with spikes on the back, on the arm-rests, on the seat, on the leg-rests, and on the foot-rests.

It's easy to comprehend the effect of the spikes piercing the victim's body made even more effective by a screw bar system to immobilize the victim and make the pins penetrate more deeply.

The bars, either made of iron or wood, fastened the victim around the waist, around the wrists, and around the chest or bust.

The seat was often made of iron that could be heated. These implements were used in Germany up until the 19th century, in Italy and in Spain up until the end of the 1700s, in France and in other central European countries, according to certain sources, up until the end of 1800.

The Inquisitional Chair
The Inquisitional Chair The Inquisitional Chair The Inquisitional Chair

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The Mask of Infamy

The mask of infamy brings about two different inflictions: a spiritual one and a physical one. The victims were both staked out to public ridicule and at the same time they were physically tortured. The masks sometimes had inner devices, such as a ball, which were forced into the victim's nose or into the mouth, thus preventing him or her from wailing and shrieking.

The mask with long ears represented a silly ass person, while the one with a snout or with a pig face symbolizes the animal being considered dirty.

The Mask of Infamy
The Mask of Infamy The Mask of Infamy

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The Rack

The rack consists of an oblong rectangular, usually wooden frame, slightly raised from the ground, with a roller at one, or both, ends, having at one end a fixed bar to which the legs were fastened, and at the other a movable bar to which the hands were tied. The victim's feet are manacled to one roller, and the wrists are chained to the other.

As the interrogation progresses, a handle and ratchet attached to the top roller are used to very gradually stepwise increase the tension on the chains, which induces excruciating pain as the victim's joints slowly dislocate. By means of pulleys and levers this latter could be rolled on its own axis, thus straining the ropes till the sufferers joints were dislocated.

Because of its mechanically precise, graded operation, it was particularly suited for hard interrogation, as to extract a confession.

One gruesome aspect of being stretched -deliberately- too far on the rack is the loud popping noises made by snapping cartilage, ligaments or bones. Eventually, if the application of the rack is continued, the victim's limbs are ripped right off. One powerful method for putting pressure upon a prisoner was to merely force him to view someone else being subjected to the rack.

Indeed, a person stretched on the rack presented the ultimate spectacle of the body in pain. A victim would often be placed on the rack naked or nearly so, and their taut skin would run with the sweat of their agonies. Wrists and ankles would be swollen and bloodied from the bite of ropes or manacles. The spread-eagled posture left no part of the body invulnerable from the application of other devices like hot irons or pincers, or immune from the attention of those gathered to observe the torture.

The Rack

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The Rectal, Oral, and Vaginal Pear

Used during Medieval Times, the Pear of Anguish was an extremely painful device. Its name comes from its shape. This instrument had a handle and screw mechanism by which it was progressively expanded to the maximum aperture of the two or three elements it was made of.

This instrument was forced into the mouth or rectum of male victims and into the vagina of female victims. The oral, rectal, or vaginal pear was inflicted on people guilty of sodomy, on women guilty of adultery, people guilty of incest or sexual union with Satan, and it was also inflicted on heretical preachers and blasphemers.

After this torture was employed on the mouth; the victim's teeth would get destroyed; making blood pour out of the victim's mouth often causing death. If introduced in the anus or vagina, death was a step away. The Pear of Anguish was rarely washed, thus causing infections very frequently. If the victim didn't die by an infection however, he would die by other diseases caused by the severe damage of his or her intestines.
Rectal, Oral, and Vaginal Pear

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The Saw

This instrument had widespread diffusion all over Europe. The saw was inflicted for a great variety of crimes (rebellion, witchcraft, military disobedience), probably owing to its being easily found in all houses so enabling a quick execution.

As we can see from a series of printings and engravings of that period, the victim was hung in an inverted position in order to assure sufficient oxygenation of the brain and to slow down the general loss of blood so that he didn't lose consciousness at once, thus to inflict a longer suffering before death struck.

The Saw
The Saw

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The Thumb Screw

The Thumbscrew torture was used during the Middle Ages, most notoriously during the inquisition. When a victim refused to reveal sensitive information, he or she would be subject to the thumbscrew. The victim's hands were placed in the device (see below) and the torturer would crush the victim's fingers slowly. Another common application of the thumbscrew was to crush a victim's toes. A (bigger) variant of this torture was used to crush knees, arms and even heads.
The Thumb Screw
The Thumb Screw

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The Virgin of Nuremberg

The name of this instrument seems to have its origin from a prototype that was built in the town of Nuremberg. It is also said that this sort of sarcophagus had a maiden face carved on its front door probably aimed at making this horrible container look more refined.

The sarcophagus was fitted with spikes on the inside that pierced different parts of the body but never transfixed vital organs in order to keep the victim alive, hanging upright.

The device would be opened both from the front and from the back side without the victim being able to get out. The container was so thick that no shriek could be heard from outside unless the doors were opened.

When the sarcophagus doors were shut back, the spikes penetrated the same parts of the body and into the same wounds as before, inflicting a long and cruel agony.

The Virgin of Nuremberg

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The Wake of Juda's Cradle

The victim was hung by an iron belt surrounding his upper waist, he was bound hand and foot, his legs were kept slightly open by a stick in such a way that he could only move them at the same time. He was hoisted over a pointed pyramid put on top of a rack. His legs were stretched out frontwards and joined with a rope at his ankles. The victim was lowered onto the pyramid point that penetrated into the anus or vagina. Thus the victim, with his muscles contracted, couldn't relax and fall asleep.
The Wake of Juda's Cradle The Wake of Juda's Cradle

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